To Kill A MockingbirdUSA 1962
Directed by Robert Mulligan
Running time 123 minutes
Harper Lee's famous Pulitzer Prize winning novel about lawyer (Gregory Peck) who defends a wrongly accused Negro in a small Alabama town during the early 30s is an early instance of civil rights issues making an appearance in a major Hollywood studio movie albeit in quite an old-fashioned way. This is particularly evident in the contrast between Atticus Finch as an upright, paternalistic god-fearin' white man and Tom Robinson (Brock Peters) man he defends as a blubbering ye'sah black man. Perhaps in this respect it is more truthful to the reality it depicts, screenwriter Horton Foote being credited with staying faithful to Lee's novel which is based upon her own experience of growing up in the Deep South, the Atticus character being modelled upon that of her own father. Also, events are seen through the eyes of an young innocent, the story being told in flashback by Lee's alter ego, the adult "Scout" whose voice-over at the beginning of the film takes us back to her childhood. 10 year-old Mary Badham as "Scout" is a delight, both she and Phillip Alford as her older brother giving marvellously naturalistic performances whilst Peck's stock character is well suited to the role of the virtuous paragon, Atticus. The film has trouble balancing the lengthy depiction of the children's world with the relatively hastily dealt-with trial scene which suffers from overly melodramatic oratory by Atticus and a rather too neat compartmentalisation of racism in the lower orders. Nevertheless, director Mulligan's style very much grounded in classic 50s style of film-making, the black and white cinematography by Russell Harlan looks good and Elmer Bernstein's score enhances proceedings.
BTW: Robert Duvall makes his feature film debut as Arthur "Boo" Radley. DVD Extras
: Fearful Symmetry
a useful 90 minute documentary about the production; the director's commentary; production notes; cast and crew notes.
Available from: Universal Pictures Australia
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